1. Some more Der Blaue Engel and Marlene Dietrich.

     

  2. Morocco (1930), directed by Josef von Sternberg. Marlene Dietrich’s first film in Hollywood, made to soften the coming impact of The Blue Angel on her image. This time Dietrich portrays a somewhat more conventional woman, although there’s a role-reversal on gender roles in the beginning. It’s a treat, so do watch it. 

     
     


  3. David Bordwell writes of changes in viewing experience in his article Pandoras digital-box: From films to files. The following snippet was somewhat interesting vision of the possible future of theatres. Interesting as in horrid. Bordwell talks of theatres turning into secondary televisions for a more social event of watching, and the more serious enthusiasts would stay at home. 

    Premonitions

    In summer of 1999, Godfrey Cheshire published a two-part article, “The Death of Film/ The Decay of Cinema.” It’s proven remarkably far-sighted.

    He predicted that within a decade your multiplex theatre would contain “a glorified version of a home video projection system.” He predicted that the rate of adoption would be held back by costs. He predicted that the changeover would mostly benefit the major distributors, and that exhibitors would have to raise ticket and concession prices to cover investments. He predicted what is now called “alternative content”—sports, concerts, highbrow drama, live events—and correctly identified it as television outside the home. He predicted the preshow attractions that advertise not only products but TV shows and pop music. He predicted what is being seriously discussed in industry circles now: letting viewers snap open their “second screen” and call, text, check email, and surf the net during the show. And he predicted that distractions and bad manners in movie theatres would drive away viewers who want to pay attention.

    People who want to watch serious movies that require concentration will do so at home, or perhaps in small, specialty theatres. People who want to hoot, holler, flip the bird and otherwise have a fun communal experience … will head down to the local enormoplex.

    Godfrey goes on to make provocative points about the effects of digital technology on how movies are made as well. His essay should be prime reading for everyone involved in film culture—e.g., you.

    His whole article is very interesting. Thankfully the “enormoplex” system Cheshire envisioned has yet to come true :P at least around here. 

    (Source: davidbordwell.net)

     

  4. I’m almost ashamed to admit that I didn’t enjoy Hugo all that much. I must have some deep rooted issue with kids, because the film had every single thing to make it enjoyable otherwise. Martin Scorsese -> great storytelling, an automaton, Ben Kingsley as Georges Méliès, Sir Christopher Lee and Erik Satie´s music. I’ll have to see it again. 

     

  5. Norwegian wood (2010) is finally coming to my local theatre, cheers for that! 

     


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  7. Iron Sky, directed by Timo Vuorensola, has sold second-most tickets this far at the Berlinale, beating likes of Werner Herzog (!) and Angelina Jolie. Surprising! This is getting exciting, the wait has been long for this movie to come out after all. A fun fact: Iron Sky is the most expensive Finnish movie to date with it’s  ~€7,5 million budget. 

    Iron Sky tells the story of how Hitler’s top scientists moved to a lunar military base known as the Black Sun shortly after the second world war ended in 1945. For more than 70 years boffins beavered away on a fleet of spaceships that would one day return to Earth and finish what the Nazis started. In 2018 the invasion begins.

    guardian.co.uk, Wednesday 8 February 2012 12.00 GMT

     

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  9. Lady Vengeance (2005) by Chan-wook Park

    This one is a pretty great poster compared to others I found on google. It’s always better if the poster actually does have some connection to the movie beside the face of the star.  

     

  10. Theodoros Angelopoulos 1935-2012